IN A WORD..........SOLID!
This is classic Blacksploitation! I am such a huge fan of the genre, that when I heard a soundbite from Detroit 9000 on the Jackie Brown soundtrack, I knew that I had to see the movie. And, even better, it had Quentin Tarantino's stamp of approval. More than enough for me!
A gritty, tell it like it is white cop is assigned to find the men who robbed the fundraiser for the first black man to run for Govenor of the state of Michigan. When he realizes that he can't do it alone, he reluctantly agrees to let a young black cop, who happens to be an up-and-comer, help him out. What follows is a mess of gun fights, funky music, and dead pimps. All culminating in probably one of the biggest shootouts/chase scenes in film history! My jaw was dropped and my eyes were open in amazement as Detroit cops and the robbers chased each other all over town whilst expending thousands of rounds of ammo. The ending came as quite a surprise, and nothing that I had seen coming. This film is a...
A Must-See for Motown
This is the only non-documentary film that I know of to capture anything of the life in Detroit experience. It is a must-see film for anyone who's spent any serious time in Motown. There are classic Detroit scenes such the drive up the Cobo Hall ramp, a dialogue scene in the Michigan Sports Hall of Fame inside Cobo, the old Top Hat Coney off Grand Circus Park, a functioning Book-Cadillac Hotel, a skyline before the RenCen, and even a B.C./Marathon sticker and Detroit Tigers "Bill Freehan in action" calendar! This film has early-70s Detroit written all over it. Yet, this film also goes beyond its local setting as well. Its no wonder Tarantino has a special regard for this film. It shows the racial hypocrisy of institutions and the establishment. There is racial opportunism and strife among the politicians and police chiefs. So it is no mistake that the criminals in this film are the only ones racially mixed working in cohesion. The final chase scene is not actually...
BRILLIANT
This movie would have never caught my eye if it wasn't for Tarantino. I'm a huge fan of Tarantino, but I can't honestly see what Tarantino did to make it better, except put his name on it to get people to buy this classic film. The pure acting of Scatman Crothers and Alex Rocco make this movie flow. It has a wonderful plot and dealt with racial and other real issues. I think it wasn't that big of a hit when it was first released because people just didn't want to see films like that then. Today on the other hand, as Tarantino realized, people love films such as Detroit 9000. Absolutely brilliant!
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